5 Jazz Blues Licks – How To Use Transcribed Ideas

In this video, I go over 5 longer Jazz Blues Licks that incorporate different ideas that I took from transcriptions of great guitarists such as Grant Green, George Benson, Charlie Parker(not really a guitarist, but he wished he was), Wes Montgomery, and John Scofield.

These examples really highlight how I work with material that I have transcribed, and most of them are in fact in videos I have done on these artists.

The Blues Solo Analysis Videos: https://www.youtube.com/watch?v=Potz7UATr8Y&list=PLWYuNvZPqqcHdrm0HgsR8tVmjOLCm3Q_o&index=7&t=0s

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5 Jazz Blues Licks – How to use Transcribed ideas

Content:
0:00 Intro
1:07 Example #1 – Grant Green
1:16 Analysis of the Grant Green Triad and an augmented triad trick
3:04 Example #2 – George Benson and Charlie Parker
3:11 Analysis – Using b3 as a Chromatic Passing note
3:40 Major Pentatonic
4:11 The George Benson lick
5:01 Charlie Parker and delaying the b7
5:30 Example #3 – Kenny Burrel and Wes Montgomery
5:38 Kenny Burrels Major Pentatonic
6:05 Mighty Benson Double-stop!
6:47 Some thoughts on using phrases from other people
8:11 Example #4 – Scofields Weird Legato Arpeggio
8:19 John Scofield, another type of blues phrasing
8:45 The “Strange arpeggio”
10:07 Back to C7
10:21 The other Scofield idea and how it’s developed
11:19 Example #4 – Wes Montgomery motivic phrase
11:27 Relating Wes to the blues
12:14 How To Play the line
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